In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. At ISO of 200, the shutter speed would be 1/200 (or its closest . To get the more saturated colours from Portra 400, Ive always found I need to overexpose it a bit or that I need to push the colour more in post. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. ", because that's too arbitrary. Save my name, email, and website in this browser for the next time I comment. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. The CineStill 800T adaptation utilizes a C-41 processing method. It sounds like I need to keep one handy for exactly this kind of situation. Are there conventions to indicate a new item in a list? Neon lights are very easy to shoot. Tungsten-balanced stocks exist because of films inability to adjust its palette mid-roll to continue rendering whites correctly. A bit underexposed, true, but amazing. At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. Thanks Aukje! Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced-which means that it's best used with a flash or daylight. Its finicky but not too finicky but you do need to think about exposure more than the others. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. CineStill 800T shot on Vitessa A. For example, 5500K is very close to the suns photospheres 5800K. Film is much more finicky with under exposure. This is the equivalent of temporarily adjusting your ISO meter to 400, 200, 100. I have been wanting to write about my latest crush, Portra 800, even made a selection of photos to include, but didnt get to writing it yet. But another part of it must surly be just be how so perfectly it fits my tastes when shot within my established workflow. I was using an EOS 300 and set the ISO to 800. . Shutter speed is the . Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. It single-handedly converts your emulsion to daylight-balanced stock. What happened to Aham and its derivatives in Marathi? This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. Middle: inverted & equalized scan W/O any adjustments. Thanks, Hamish, for another thoughtful column about another film type. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. You beat me to this! CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. They put high(er) speed films . mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. So if you're dead set on shooting color film in dim, artificial light, check out 800T and learn to push it as necessary. If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. Film ISO: 400. Good call on the shutter-time, which is something I didn't realize might have to be too fast. To be in a forest under the trees you will find high ISOs very useful. Can I develop my b&w film a year after shooting it? But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. How have you found the lomography stuff? It is ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. Privacy Policy | Disclaimer, Shooting Cinestill 800T in Daylight: Tips & Example Photos, PolarPro Peter McKinnon VND Filter Edition 2. With an ISO of 800, CineStill 800 Tungsten is ideal for capturing low light and fast action under tungsten lighting. Ive also over and underexposed it a little bit, just to see how well it would respond. Try rating around ISO 200 for beautiful colors and skin tones. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). August 1, 2022 by Jodi Carville. - And yes, this camera goes up to 1/1000. CineStill takes advantage of a C . Light meter battery ran low and I overexposed my ASA 400 HP5+. I generally shoot with natural light outdoors with low ISO film. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. These aren't showstoppers, just things you should be aware of. I used the reference to create matching colours with adjustments via. As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I dont really get on with the higher grain and reduced sense of sharpness Ive had out of those sorts of films when Ive shot them in the past. Centering layers in OpenLayers v4 after layer loading. Just go by your camera's built in meter. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Its fine grain, high contrast. Manage Settings On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . Thanks. I might have to shoot some Portra now and see how it compares. CineStill 800T is a great alternative to the few options we have. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development . Making statements based on opinion; back them up with references or personal experience. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . The number of distinct words in a sentence. It would probably have to be a variable one when I'm shooting mixed scenes/lighting, so I will look for that. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. . Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. Mar 21 . Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . Dont deviate from that unless you have a good reason. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. Thanks for your input! Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. When shooting, you'll need a camera that will allow you to change your ISO manually. How to colour correct CineStill 800T shot in daylight after scanning. I think there's some herd mentality to the creative range of what gets shot on this film too, but let's not dwell on that. Has the term "coup" been used for changes in the legal system made by the parliament? There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. While the clouds certainly didnt make the sun hotter, the light that it gives off after being filtered through the atmosphere appears bluer. (Where it says ISO 400 on that chart it should say ISO 800) Like. Or, you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. In case I end up with a very bright scene with such a film and still want to take a picture. How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. I have found zero advantage overexposing this film, in fact its just given me work work. Your photos make me think this is the best of all the Portra stocks such great colours! The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). Got another roll of it heading into the night? By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Id still like to read your piece about shooting Portra 800 under water. Another is to shoot the film at 400-500 ISO. An old 500mm lens requires 1/500s or shorter to make that work. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. Woah. It would also allow you to use lenses at deeper stops to have also a larger depth of field. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. The purpose would be mixed scenes. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. Kodak Portra film rated at ISO 800. . So develop a relationship with and love your lab. CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. Oh, I should not forget to mention: lovely photos indeed! document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. The tungsten-balanced colors paired with its famous halation makes for an incredibly unique look to night photos but have you ever considering shooting 800T in the daytime? Said by whom? If dark matter was created in the early universe and its formation released energy, is there any evidence of that energy in the cmb? Content contributor - become a part of the worlds biggest film and alternative photography community blog. By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. You won't miss a low light shot again . Kodak Portra 800 and Lomography 800 are about the only options I could find today. And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). 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