Wabash Cannonball WebLonnie Donegan, MBE (born April 29, 1931, Bridgeton, Glasgow, Lanarkshire, Scotland died November 3, 2002, Market Deeping, Lincolnshire, England) was a Scottish skiffle vocalist, The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. Tops at Loving You 6. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. 2021. AllMusic relies heavily on JavaScript. [1] Donegan received an Ivor Novello lifetime achievement award in 1995[4] and in 2000 he was made an MBE. Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. Golden Hour [UK] GH 514 Lonnie Donegan's' Golden Hour Of Golden Hits: Rock Island Line; Jack ODiamonds; Tom Dooley; Puttin On The Style; Im Alabammy Bound; How Long How Long Blues He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. Donegan was suddenly a star, with a public that wanted more music from him. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. Before the smoke cleared, "Rock Island Line" also managed to reach the Top 20 in America, a major feat for a British artist at that time. Aunt Rhody, My Old Man's A Dustman b/w The Golden Vanity, I Wanna Go Home (Wreck Of The John B.) Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. Subscription from $10.83/month The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. Sally Don't You Grieve (Nov - 1957) WebLonnie Donegan Meets Leinemann (2-CD) Released in 1999 $11.19 Super Savings List Price: $24.99 Add to Cart Tracks of Disc 1 1. Lonnie Donegans Golden Hour Of Golden Hits, Lonnie Donegans Golden Hour Of Golden Hits Vol. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. The name "skiffle" was hung on this music as a way of referring to it on the group's posters. 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. Boll Weevil Blues unissued LD9 April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber) Hard Time Blues (KC 9) Storyville Casey's Last Ride 2. Read Full Biography Overview Biography He had left the Barber band by then, and by the spring of 1955, Donegan signed a recording contract with Pye. by Bruce Eder. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. By 1980, he was making regular concert appearances again, and a new album with Barber followed. The name stuck. His next single for Decca, "Diggin' My Potatoes," cut at an October 30, 1954 concert at London's Royal Festival Hall, was banned by the BBC for its suggestive lyrics -- this hurt sales but also gave Donegan a slight veneer of daring and rebelliousness that didn't hurt his credibility with the kids. More concert tours followed, along with a move from Florida to Spain. 1 b/w Lonnie's Skiffle Pt. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. He formed his own group, the Tony Donegan Jazz Band, in 1952. His stint in this group was interrupted, however, when he was called up for National Service in 1949. (function(){var k='0521688706',d=document,l=d.location,c=d.cookie;function f(n){if(c){var i=c.indexOf(n+'=');if(i>-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" d.write('')})(); The version of Leroy Carr's "How Long, How Long Blues" is almost as much a jazz piece as a blues workout, with guitarist Denny Wright subbing on the piano. Donegan was born as Anthony James Donegan in Glasgow, Scotland, the son of a professional violinist. Artist descriptions on Last.fm are editable by everyone. The man extending the invitation was Chris Barber, himself an aspiring young jazzman. The name stuck. Darling Corey, Tops With Lonnie ~ 1959 Don't You Rock Me Daddy-O His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Lonnie Donegan | Discography | Discogs Complete discography, ratings, reviews and more. Subscription from 12,50/month Is Elvis Presley now irrelevant as an influence. Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). function utmx_section(){}function utmx(){} As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. 2000, Jazz - Released by RevOla on 22 jul. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Body ( 1956 ) all, even -- by his own admission -- stole a couple and. 1956 ) London, and the king of skiffle Jazz - Released by RevOla 22! 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